Over the course of the Fall 2021 semester, we, the students of Critical Inquiry: Straining the Letters into Noise, Direct and Undetectable, Speech, developed personal creative projects focused on a subject of our choosing.
These projects were initially inspired by weekly free writes practiced earlier in the semester, but have since expanded into greater explorations of identity, narrative, language, and ritual, among other themes.
Our collaborative project, Bodily Sensations of Joyful Work, is a manifesto we created inspired by Workaholics Anonymous’s “Working Joyfully" chart that appears in Mutual Aid: Building Solidarity During this Crisis (and the Next) by Dean Spade, and the list of Body Sensations that appears in Decolonizing Non-Violent Communication by Meenadchi. We felt it best to display these pieces together on this collaborative site, as they each truly encapsulate joyful work.
Please enjoy.
A publication about being kinder in your relationship to your body with the idea that bodies are borrowed among souls.
tldr they colonized bananas
you receive a file from an unknown, yet strangely familiar digital presence who has been trying to reach you...
I spent a lot of this semester writing about and thinking about memories. Where they live, where they can be found, and how memory/stories/narratives can be embedded into objects. And this led me to start considering archives and exploring which objects I encounter every day that could be considered an archive.
This set of 22 CMYK Screen prints are images of things I consider to be Accidental Archives; things that unintentionally act as a record of information, share stories, or act as an account of existence or action in a way that feels archival by nature.
(i.e. A Cemetery being an Archive of lives and deaths, of families, of where someone lived; The library due date cards being an archive of time and places that book has, how popular the book is, or how old; The shortcut Buttons on a radio serving as an archive of someone's interest in music, their recent locations, or the person(s) who has recently driven the car)
Critical Inquiry: Straining the Letters into Noise, Direct and Undetectable, Speech gathers us, students at Virginia Commonwealth University’s Graphic Design Department, to read texts, write, discuss, and look deeply inside of our communities and ourselves. It gives us the opportunity to bring a voice to our thoughts and speak them to one another. Reading texts such as Decolonizing Non-Violent Communication by meenadchi, Mutual Aid: Building Solidarity Within This Crisis (And The Next) by Dean Spade, Teaching to Transgress: Education as the Practice of Freedom by bell hooks, and others, we have learned new ways to process and express our thoughts. This publication is an amalgamation of digital and printed work that we created during our time in class and shares all that we have learned.
Our collaborative project, Bodily Sensations of Joyful Work, is a manifesto we created that is inspired by Workaholics Anonymous’s “Working Joyfully" chart that appears in Mutual Aid, and the list of Body Sensations that appears in Decolonizing Non-Violent Communication.
Thank you for being here!
This digital publication features works by Alice Steffler, Aliza Bucci, Allie Yang, Ana Zuniga, Brenae Flournoy, Elora Romo, Erin Christoph, Gabi Wood, Hannah Hartstein, Hiro Nishikawa, Jayce Nguyen, Lizzy Yoo, Luis Quintanilla, Nan He, Shannon Baker, Sophie Nguyen, and Sui Aoki.
This platform was created collaboratively by our class. It was coded and engineered by Alice Steffler, Aliza Bucci, Elora Romo, and Jayce Nguyen. It was designed by Erin Christoph, Hannah Hartstein, Lizzy Yoo, Luis Quintanilla, Nan He, Shannon Baker and Sophie Nguyen. It was organized and managed by Allie Yang, Ana Zuniga, Brenae Flournoy, Gabi Wood, Hiro Nishikawa and Sui Aoki.
Critical Inquiry: Straining the Letters into Noise, Direct and Undetectable, Speech is a class developed and taught by Kimi Hanauer for Virginia Commonwealth University Department of Graphic Design in Fall 2021.